Skip to product information
Front cover sealed Chuck Jackson Maxine Brown Hold On We’re Coming Wand stereo reel tape
1/3
Description

This one sits right in the sweet spot where 60s soul, club energy, and deep-collector culture overlap. Chuck Jackson and Maxine Brown are both heavy hitters in classic R&B and soul, and this album is stacked with the kind of material that later became catnip for the Northern Soul crowd: big melodies, driving grooves, and performances that feel built for a dancefloor even when the tempo drops. Wand is a serious label for this era too- part of the Scepter family-known for putting out records that punch above their weight and keep getting rediscovered by DJs, collectors, and crate diggers decades later.

Sound and listening notes
Because this tape is factory sealed, it has not been opened for play testing. That said, this is the kind of pre-recorded reel that can sound shockingly good when everything lines up: a fresh, unplayed tape path, wide stereo presentation, and that smooth “tape glow” that often makes horns, vocals, and rhythm sections feel more natural than many consumer pressings. The back cover notes Ampex mastering/quality auditing and Ampex duplication, which is exactly what you want to see on a vintage consumer reel- consistent transfer, consistent levels, and a clean, stable copy when stored well.

Details

Album: Hold On, We’re Coming!!

Artist:

  • Maxine Brown
  • Chuck Jackson

Label: Warner Bros

Year of Release: 1970

Duplicator: Ampex

Country: United States

Genre:

  • Soul
  • R & B
  • Jazz

Reel: 3 3/4 IPS , 4 Track Tape

Condition Notes:

  • Box: NM Sealed
  • Sound Quality: Excellent
Track List

1 Hold On I’m Coming
2 Something You Got
3 Shake a Tail Feather
4 C.C. Rider
5 Maybe
6 I Need You So
7 Daddy’s Home
8 Tennessee Waltz
9 Never Had It So Good
10 Let It Be Me
11 Love Is a Hurtin’ Thing
12 Let’s Go Get Stoned

Tape Review

*Unplayed but we have found Wand Tapes to be Excellent.*
Factory sealed and unplayed (not opened for test). Based on the format and the Ampex duplication notes, a strong example should deliver a smooth, saturated soul tone with excellent vocal presence, big midrange body, and the kind of easy, non-fatiguing flow that makes tape so addictive. On a good deck, it’s very common for sealed vintage reels like this to come across more relaxed and “continuous” than the equivalent vinyl playback- especially on vocals and dense passages-without the clicks, groove wear, or stylus fuss.

About Four Track Tapes

Two-track stereo reels grew out of early post-war tape, when consumer releases were mostly mono (often with a “flip the reel” second side). Once in-line two-track (half-track) became standard, big tracks at 7.5 ips made great jazz and classical sound incredibly real. The industry eventually moved to 4-track because it was cheaper and offered more playing time- learn more here.

You may also like