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Greatests Hits V.I, Bob Dylan-  Track Reel to Reel Tape, 3 3/4 IPS
1/11
Description

Columbia stereo reel of Bob Dylan’s Greatest Hits, featuring “Like a Rolling Stone,” “Mr. Tambourine Man,” and “Just Like a Woman.” U.S.-made 4-track, 3¾ IPS factory-duplicated tape with original Columbia box.

Details

Album: Bob Dylan’s Greatest Hits, Volume I

Artist:

  • Bob Dylan

Label: Columbia

Year of Release: 1967

Duplicator: Columbia

Country: United States

Genre:

  • Rock
  • Folk

Reel: 3 3/4 IPS 7 inch Tape, 4 Track Tape

Condition Notes:

  • Box: Very Good- Some tears along edge
  • Sound Quality: Excellent
Track List

Side 1
1. Rainy Day Women #12 & 35
2.Blowin’ in the Wind
3. The Times They Are A-Changin’
4. It Ain’t Me Babe
5. Like a Rolling Stone

Side 2
1. Mr. Tambourine Man
2. Subterranean Homesick Blues
3. I Want You
4. Positively 4th Street
5. Just Like a Woman

Tape Review

Tape / Playback Review
This copy has been play-tested and sounds excellent, especially for 3¾ IPS. The tape delivers a warm, cohesive analog presentation with solid midrange focus and surprisingly good clarity. Dylan’s vocals sit forward and natural, with acoustic guitars and rhythm sections rendered smoothly without grain or harshness. Tape hiss is present but well controlled for the speed, and dynamics remain intact, a testament to Columbia’s duplication quality.

Imaging is stable, bass is full without muddiness, and transients such as harmonica and snare hits come through cleanly. On a properly aligned machine, this tape plays musically and effortlessly, offering the relaxed, dimensional sound that reel-to-reel listeners appreciate even at lower speeds.

Album Review
Bob Dylan’s Greatest Hits is one of the most iconic compilation albums in American popular music, capturing Dylan’s rapid evolution from folk troubadour to electric-era songwriter. The track selection spans his most influential early recordings, including protest anthems, poetic ballads, and genre-shifting rock statements.

From Blowin’ in the Wind to Like a Rolling Stone, the album distills Dylan’s early brilliance into a concise and endlessly replayable program. In analog tape form, the performances feel immediate and uncompressed, with a sense of presence that suits Dylan’s voice and songwriting especially well.

About Four Track Tapes

Two-track stereo reels grew out of early post-war tape, when consumer releases were mostly mono (often with a “flip the reel” second side). Once in-line two-track (half-track) became standard, big tracks at 7.5 ips made great jazz and classical sound incredibly real. The industry eventually moved to 4-track because it was cheaper and offered more playing time- learn more here.

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