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Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
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  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
  • Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
Julie is Her Name, Julie London- 2 track reel to reel tape, 7 1/2 IPS
$100.00

Condition: Very Good
Description

Julie London returns to the intimate bass-and-guitar setting that made her debut a classic, this time in stereo. The set leans into torch-song standards with an easy, close-mic’d feel that flatters her understated delivery. A graceful late-50s Liberty reel that collectors love for its warmth and simple, uncluttered sound.
Details

Album: Julie is Her Name

Artist:

  • Julie London

Label: Liberty Stereo Tape

Year of Release: 1958

Duplicator: Liberty Stereo Tape

Country: United States

Genre:

  • Jazz

Reel: 7 1/2 IPS 7 inch Tape, 2 Track Tape

Condition Notes:

  • Box: The tape itself is in excellent condition the box is showing lots of wear- missing parts of the side (see photos)
  • Sound Quality: Very Good
Track List

1. Blue Moon
2. What Is This Thing Called Love?
3. How Long Has This Been Going On?
4. Too Good to Be True
5. Spring Is Here
6. Goody Goody
7. The One I Love Belongs to Somebody Else
8. If I’m Lucky
9. Hot Toddy
10. Little White Lies
11. I Guess I’ll Have to Change My Plan
12. I Got Lost in His Arms
Tape Review
About Two Track Tapes

Two-track stereo reels grew out of early post-war tape, when consumer releases were mostly mono (often with a “flip the reel” second side). Once in-line two-track (half-track) became standard, big tracks at 7.5 ips made great jazz and classical sound incredibly real. The industry eventually moved to 4-track because it was cheaper and offered more playing time- learn more here.

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