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Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
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  • Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
  • Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
  • Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
  • Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
  • Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
  • Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
  • Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
Schumann: Symphonies No. 1 & 4, Rafael Kubelik- 4 Track Reel to Reel Tape, 7 1/2 IPS
$40.00

Condition: Very Good
Description

Classic Deutsche Grammophon stereo reel featuring Schumann’s Symphonies No. 1 “Spring” and No. 4, performed by the Berliner Philharmoniker under Rafael Kubelik. U.S. manufactured 7½ IPS, 4-track stereo tape, factory duplicated by Ampex with original DG packaging.
Details

Album: Schumann: Symphonies No. 1 & 4

Conductor: Rafael Kubelik

Orchestra:

Label: Deutsche Grammophon

Year of Release: 1965

Duplicator: Deutsche Grammophon

Country: United States

Genre:

  • Classical

Reel: 7 1/2 IPS 7 inch Tape, 4 Track Tape

Condition Notes:

  • Box:
  • Sound Quality: Very Good
Track List

Symphony No. 1 in B-flat major, Op. 38 “Spring”
1. Andante un poco maestoso – Allegro molto vivace
2. Larghetto (attacca)
3. Scherzo: Allegro vivace
4. Allegro animato e grazioso

Symphony No. 4 in D minor, Op. 120
1. Ziemlich langsam – Lebhaft (attacca)
2. Romanze: Ziemlich langsam (attacca)
3. Scherzo: Lebhaft (attacca)
4. Langsam – Lebhaft
Tape Review
The Half-Track Golden Age (and How We Got There)

Two-track stereo reels grew out of early post-war tape, when consumer releases were mostly mono (often with a “flip the reel” second side). Once in-line two-track (half-track) became standard, big tracks at 7.5 ips made great jazz and classical sound incredibly real. The industry eventually moved to 4-track because it was cheaper and offered more playing time- learn more here.

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